Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Wednesday, March 16, 2011

How I Learned To Stop Worrying And Love The Ereader



So yesterday I finally broke down and bought an ereader.

This might not seem the act of a particularly late adopter until you factor in the fact that it has been my job for the past year to sell said E Readers (I’m not saying which but they ain’t Kobo’s)

Oops.

I’ve spent most of that year feeling about as welcome as Satan in a southern Baptist church. To say that some customers have been hostile to the idea of an ereader would be understating things. Imagine Dracula confronted with a mirrored crucifix and you’re halfway there.

And I get it. I do. I like physical media (I can’t ever imagine being comfortable with a film library that was solely digital) I’m a book person and thus understand book people. And the type of people who tend to be book people tend to be, shall we say protective of the things they have that bring them pleasure. And despite all the platitudes of ereaders being a supplement not a replacement there’s no way to deny that ebooks have their physical counterparts dead in their sights. I mean God now that my Itunes account offers me Gigs and gigs of unscratchable songs I all but use my CD’s for target practice.

But that wasn’t why I didn’t buy the ereader. With my employee discount Ebooks just weren’t much less expensive then regular books and without that added incentive there just seemed very little reason to make the switch. But faced with the prospect of moving across the country and coming to the grim realization that if I do I will be forced to leave about 90% of my library behind I decided to bite the bullet and pick one up.

It is nice. Particularly the price point, which makes picking up new books not written by mega bestselling authors affordable. It’s a lot to ask someone to spend 25-30 bucks on an untested author, but much easier to have that same consumer shell out ten or twelve bucks. It levels the playing field and democratizes things a bit. Sure James Patterson still has name recognition over Johnny Wouldbegreat but he is no longer 40% cheaper as well.

Simply put it allows access to books that you didn’t have before. Take Love Wins, as interested as I was in giving it a read after reading about it on Slacktivist, paying twenty five bucks for a religious tract isn’t really going to be in the cards. Or for the more secular among you take Zombie Spaceship Wasteland, which despite loving I couldn’t give an unqualified recommendation to simply because there wasn’t enough book for 27 dollars. At ten dollars you can bet that that recommendation goes from “qualified” to “Hell yes” fairly quickly. The price drop on Magazines is even more dramatic. I just bought Spin for the first time in seven years because at fifty cents an issue why not? I cheerfully subscribed to Newsweek for 2.99 a month, or in other words about half of the cost of a single issue in the real world.

Older books are even better. I just bought the majority of Robert E. Howards work for 99 cents. Out of print and rare are things of a past. I can remember mournfully reading Danse Macabre and wondering how I'd find half of the books being talked about. No more. If you want it it's there.

Of course the advantages of time, money and space hardly have to be pointed out. But there are some nice advantages that don’t spring immediately to mind. Take anonymity. Want to read Diablo Cody’s memoir without getting nasty looks on the bus? Really want to check out the latest one Dean Koontz just put out, or Dave Mustaine’s Autobiography without facing your coworker’s scorn? Go for it! For all anyone knows looking by looking at you, you’re reading War and Peace. You read quicker on the ereader. And I know this’ll sound weird but certain genre’s read easier. Normally it takes a lot of momentum through the first third of a fantasy or sci fi novel, yet on the ereader I slip in as easy as anything.

Yet there are limits. A strange ineffable sense of weightlessness for one. It’d be impossible for me to imagine reading a volume of Pynchon, Cormac McCarthey, or even Stephen King on the device. It is a platform for bestsellers, decent paperbacks, spurious political agit prop, dubious tell alls, minor works to scratch the completest itch, investigating possible flash in the pan would be literary sensations and second chances for authors who have let the reader down.

There’s also a strange dearth of comic related material available (aside from a truly staggering amount of Yaoi). It has nothing to do with the hardware as I loaded some files from my computer on it and it looks practically ideal. I can understand the big three wanting to cut their own deals but where are the smaller publishers on this? Why can’t I read say Julia Wertz’s Drinking At The Movies or Jeffery Brown’s Little Things on the nook? As for Manga if the publisher’s are worried about splitting the market on their newer titles why not put out some catalogue ones? Lord knows I’d be happy to plop down a few bucks for a few non clutter inducing volumes of Flames Of Recca or Ramna ½.

But there’s still much more to like about the ereader then not. First of all the fact that it exists still kind of blows my mind. I mean think about it. This is a device that can synthize the entirety of the western canon, from the freaking air and thanks to public domain laws it will do it for free. That’s a miracle. To quote Tycho Braehe “HG Welles would shit himself.”

As I’ve written before I have developed an addiction to GK Chesterton. As with any junkie the chase for the fix has led to some odd places. I ended up buying a few rare editions, which I rarely do, of some minor works for a reasonablish price.

These books were printed at a small press in London in 1930. All three volumes are marked with the inscription “To Tom: With Joan’s Love September 9th 1938.” They survived the blitz, somehow crossed the Atlantic and somehow wound their way down the decades to find me.

I’m their custodian for now. But one day poverty, death, or the simple desire to pass what lies in them on will pass that mantle on to someone else. Down the stream of time to another protector.

And that is what the ereader lacks and what it will never have. It lacks that communion that exists between readers. The continuum of experience. Readers are arks for what they value. What every reader knows is that reading is an active, not a passive act. The ereader makes reading a rather lonely thing. It eliminates the book’s poetry.

Thanks to the wonders of public domain and a bit of patience I now own more or less everything Chesterton ever wrote.

But rest assured if I ever get a chance to own the reflected volumes I’ve collected on the Ereader in their real form, I will not even hesitate.

Friday, October 15, 2010

TTDS EXCLUSIVE: First Review Of The New Dennis Lehane: Moonlight Mile



As any reader of this site knows I’m a big BIG Dennis Lehane fan. And the Kenzie and Genarro series is my favorite series period. Any genre. Any era. Any medium.

So when I opened up my box and found Moonlight Mile waiting for me a full month and a half before I could reasonably respect it to… Well “Freaking the fuck out.” And “Completely lost my shit” Are such overused terms. But they fit. Picture my insides as Abagail Breslin finding out she’s going to Little Miss Sunshine and you’re half way there.

But after the shock wore off (It took awhile) I found myself gripped with a deep and wholly unexpected fear. Fear I could trace to three sources.

1) Dennis Lehane is a vicious bastard. Did I really want to give him another crack at hurting these characters after they had escaped relatively unscathed? The characters, particularly the secondary characters, Bubba, Oscar and Devin live violent lives. What guarentee was there that they would survive the interval? Much less the actual events of the novel. (The last two ended up riding into the sunset in what is probably the closest to an unqualified happy ending a character in Lehane is likely to get.)

Who knew what shape they’d be in when the book opened, let alone when it ended?

2) By now it was common knowledge that Moonlight Mile was a direct sequel to Gone Baby Gone.

Even in a series direct sequels are tricky prospects (There’s a reason everyone remembers The Last Picture Show, and few Texasville) let alone a direct sequel to one of the most perfect and ambiguous endings in crime fiction history…

3) I hated Prayers For Rain.

I don’t think I was even able to admit to myself how much I disliked that book until I actually held Moonlight in my hand and eliminated it from the realm of theoretical.

But I can admit it now.

Prayers hummed along admirably for about a hundred and fifty pages. Until for reasons I still cannot fathom, Lehane basically decided that he always wondered if Gerry Glenn, his ultimate terrifyingly empty avatar of evil in Darkness Take My Hand, would had been scarier if he knew Kung Fu and lived in the lair of a James Bond Villian.

It was stupid.

Very stupid.

I hated it as a book, and hated it even more as an ending to my favorite series. And while Lehane’s post Kenzie and Genarro books were great. I was more then a little concerned that he may have lost the thread.

I needn’t have worried.

Moonlight Mile finds Kenzie and Genarro (or is it Kenzie and Kenzie now?) and for that matter Lehane are all back in full force.

They’re older, sadder and have more to lose then ever before. But they’re still their smart assed, fearless, fiercely moral, lovable selves.

Moonlight Mile opens with Kenzie compromising his values as much as we’ve ever seen him do so. In a twenty page scene that blends comedy, tragedy, a great plot twist and a bitch of tease so masterfully that any doubts I had vanished in an instant with this masterful vignette.

Not only is it an entertaining, occasionally howlingly funny scene, but it does a truckload of character and more difficultly thematic work.

Everyone in Moonlight is still reeling from the fallout of Gone Baby Gone. A fallout that exists because Patrick refused to compromise his moral code, no matter the consequences. Now he’s compromising himself to keep out of trouble.

Everything you need to know about who Pat has become in those last ten years is summed up there.

Unfortunately the consequences of that last moral stand remain. And they’re all about to bite him in the ass. All at once.

I’ll say no more about the plot itself. I have no desire to spoil the surprises of what Kenzie And Genarro have been up to in either the novel of the interim.

I will only say that Lehane’s preternatural vividness with setting and character, and dry ruthless wit remain perfectly intact. He even finds the time for a Casey Affleck Joke.

It’s not exactly perfect, a plot involving an ancient cross smacks a bit too much of Sacred’s pulp plotting, except even more conspicuous since it’s both A) completely extraneous and B) sitting smack dab in the middle of a plot about fifty times darker then Sacred. Also there’s a plot hole that is well, pretty fucking big.

But that doesn’t matter. It’s not a perfect book, but it is a perfect ending.

I was originally going to end this review with a joke, saying that if Lehane made me wait for another eleven years for a Kenzie and Genarro Book one of us would get hurt. As I rounded out the last fifty pages, I thought, “Well maybe if he wanted to let the story end here that wouldn’t be bad.” And then came those final ten pages and all I can say is, on the off off chance that Mr. Lehane reads this; if one day you come up with a story for these guys that just seems too good to be true. One you just can’t resist…

Don’t you dare write it. Let this be their end. Let what Kenzie throws in the Charleston stay there. God knows they deserve it.