After a fair amount of pre release excitement Don’t Be
Afraid Of The Dark came and went with a bit of a shrug. Sometimes the reactions
that films get baffles me. Don’t Be Afraid Of The Dark may not reinvent the
wheel, but it is a creepy little sleeper that generates a good amount of unease
and at a time when horror becomes more and more generic it has a voice of its
own.
That voice is of course Guillmero Del Toro’s, though he only co-wrote and produced
the film it contains all his hallmarks. The collision between folklore and
modern life, the bonds between children and surrogate parents and the
instability of and inherent pleasures and miseries of childhood. Really what it
maintains from Del Toro’s work is its philosophy. Most filmmakers approach the
supernatural with fear, Del Toro approaches it with a kind of awe a distinction
that gives even his lesser films a very real power.
Don’t Be Afraid Of The Dark follows a little girl who moves
into the house her father and his new fiancé are renovating. As shown in a
prologue the house can be a bad place for children and after a sealed off
chamber is discovered, things begin to contact the little girl. It’s classic
horror as metaphor stuff, with the anxieties of new family life neatly
dovetailing with the anxieties of discovering that a race of creatures
forgotten by time and the good people of the earth are now living in a burrow
under your house. But the ingenious thing about Del Toro’s script is the way he
taps into the richer vein of folklore beneath the metaphor. If you follow any
subtext long enough, eventually it just becomes text again.
Don’t Be Afraid Of The Dark first gained notoriety when the
MPAA refused to give the film a PG-13 and then explicitly requested that Del
Toro not recut in an attempt to get the rating. Frankly it’s a little tough to
understand what all the fuss is about. This is after all a film which, past its
prolouge cannot even be said to have a body count. There’s only one shot in the
movie that screams “R” (a nasty leg break) and it’s seems as if it could have
been omitted easily enough with a judicious leg break. Don’t get me wrong,
there are some nasty implications in the film, the prologue in particular
contains a truly stomach churning moment and the scene where the handy man is
attacked is probably the most intense I’ve sat through in a horror film this
year. But it’s all implications, editing, and some extremely well done sound
design. There’s a very nasty edge to the mayhem present in Don’t Be Afraid Of
The Dark. Like the eldritch creatures who populate it, its not afraid to
bite.
All in all I’d say that Don’t Be Afraid Of The Dark is the
best horror film released by a major studio this year (which might not be
saying much but is saying something)
3 comments:
I'd like to see this one, but didn't get a chance when it debuted in L.A. Still playing in a couple of Regency theaters, though. Thanks, Bryce.
Perhaps the first part-way positive review I've read of this (although, to be honest, most reviewers seem to have greeted it with terminal indifference). Don't know if it'll even make it to a cinema near me - I've seen nothing in the way of trailers, posters or foyer displays in any of my usual haunt - but I'll definitely keep an eye out.
I think the both of you will really enjoy it. Very Old School.
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